CINEMA VS MOVIES
If it attempts to reveal the hidden psyche of Ernest Hemingway, IT’S CINEMA
If it attempts to reveal the hidden psycho in the basement, IT’S A MOVIE
If a hot shower is used as a metaphor for the cleansing of the soul, IT’S CINEMA
If a hot shower is used as a private peephole for horny university students, IT’S A MOVIE
If it has a direct tie-in to Sigmund Freud’s “The interpretation of Dreams”, IT’S CINEMA
If it has a direct tie-in to Diet Pepsi, IT’S A MOVIE
If it carefully examines the disintegration of a marriage, IT’S CINEMA
If it carefully examines the disintegration of a human skull, IT’S A MOVIE
If it’s a deeply personal study of Beethoven- the man, the composer, the tortured genius, IT’S CINEMA
If it’s a deeply personal study of Beethoven- the 100 kg dog, IT’S A MOVIE
If it tells the tale of forbidden love taken from the diaries of Mary Shelley, IT’S CINEMA
If it tells the tale of forbidden love taken from the diaries of Paris Hilton, IT’S A MOVIE
If it expands on the themes in the classic “Brothers Karamazov”, IT’S CINEMA
If it expands on the themes in the classic Brothers Mario, IT’S MOVIE
If the director uses a faraway camera angle to illustrate a character’s spiritual isolation, IT’S CINEMA
If the director uses the same thing because the real actor was not available the day the scene was shot, IT’S A MOVIE
If it studies modern society’s total lack of understanding, IT’S CINEMA
If it studies Sharon Stone’s total lack of underpants, IT’S A MOVIE
If they attempt a naturalistic feel by choosing a performer with no acting expertise or experience, IT’S CINEMA
If they attempt to do the same thing by choosing Bruce Willis, IT’S A MOVIE
If the action concerns stricken kids in the Dust Bowl, IT’S CINEMA
If the action concerns shrunken kids in a bowl of Chocos, IT’S A MOVIE
If the film details Michelangelo’s ambivalent relations with the Medicis and the Pope, IT’S CINEMA
If the film details Michelangelo’s ambivalent relationship with Donatello and Splinter, IT’S A MOVIE
If it employs the dramatic skills of Russian playwright Anton Chekhov, IT’S CINEMA
If it employs the dramatic skills of the Enterprise’s Ensign Chekov, IT’S A MOVIE